pattern-watcher. His insights into the techno- cultural transformation of the 20th century deserve to be called a theory of MEDIAMORPHOSIS—a term borrowed from Kurt Blaukopf’s (1989) study of the electronic mutation of music, and independently used by Roger Fidler (1991) to describe the electronic transformation of newspapers. Mediamorphosis captures the central contribution of McLuhan’s theory of cultural transformation. He directed attention to the historical consequences of our dynamic relationships with changing media environments.